Process
I feel conflicted saying it, but surface experimentation and development is really at the end of the day what keeps me most interested and motivated in making my work, and frankly, I need something to display these surfaces on. Ok, gross over-simplification of a complex issue, but sometimes that's what it feels like. Needless to say, I tend to make a few large batches of these every year for my inevitable addict-like forays into the wonderful world of sillica-infused mania/rage that is glaze experimentation.
The Army of Tiny Elephants